Industrial Product Design
Industrial Product Design
Industrial Product Design
2017
2017
2017
Project Overview
Project Overview
About IKKON
About IKKON
IKKON is a government program (BEKRAF) that stands for Inovatif dan Kreatif melalui Kolaborasi Nusantara (Innovative and Creative through Nusantara Collaboration).
IKKON is a live-in program that brings together creative professionals, local artisans, and stakeholders in a region to collaborate on creative projects.
IKKON is a government program (BEKRAF) that stands for Inovatif dan Kreatif melalui Kolaborasi Nusantara (Innovative and Creative through Nusantara Collaboration).
IKKON is a live-in program that brings together creative professionals, local artisans, and stakeholders in a region to collaborate on creative projects.
Team
Team
I collaborated on a project with a dynamic 13-person team. We brought together a range of design disciplines including architecture, interior design, fashion, textiles, and graphics (with me as the industrial product designer).
Our team was further supported by an anthropologist, project manager, business advisor, media specialist, videographer, and photographer, ensuring a well-rounded approach to the project.
I collaborated on a project with a dynamic 13-person team. We brought together a range of design disciplines including architecture, interior design, fashion, textiles, and graphics (with me as the industrial product designer).
Our team was further supported by an anthropologist, project manager, business advisor, media specialist, videographer, and photographer, ensuring a well-rounded approach to the project.
My Role as an Industrial Product Designer
My Role as an Industrial Product Designer
Research: I gathered information and analyzed user needs to understand the project.
Ideation & Sketching: I brainstormed solutions and explored initial ideas visually.
Modeling & Prototyping: I created physical or digital models to test and refine my designs.
Collaboration: I worked closely with Banyuwangi craftspeople to integrate their skills.
Exhibition: I helped develop the overall vision and layout for our final showcase.
Research: I gathered information and analyzed user needs to understand the project.
Ideation & Sketching: I brainstormed solutions and explored initial ideas visually.
Modeling & Prototyping: I created physical or digital models to test and refine my designs.
Collaboration: I worked closely with Banyuwangi craftspeople to integrate their skills.
Exhibition: I helped develop the overall vision and layout for our final showcase.
Timeline
Timeline
4 months, with a dedicated focus on Banyuwangi for a total 8 weeks (14 days per month).
4 months, with a dedicated focus on Banyuwangi for a total 8 weeks (14 days per month).
4 months, with a dedicated focus on Banyuwangi for a total 8 weeks (14 days per month).
Challenges
Challenges
Limited Departmental Collaboration: Initially, we only partnered with one government department. Gaining diverse perspectives from other departments were difficult.
Unique Creative Space: Banyuwangi already had a well-established smart city initiative. We had to identify creative economic opportunities beyond addressing major technological issues.
Limited Departmental Collaboration: Initially, we only partnered with one government department. Gaining diverse perspectives from other departments were difficult.
Unique Creative Space: Banyuwangi already had a well-established smart city initiative. We had to identify creative economic opportunities beyond addressing major technological issues.
Tools
Tools
Manual sketch, Adobe Illustrator, Adobe Photoshop, and Microsoft Office
Manual sketch, Adobe Illustrator, Adobe Photoshop, and Microsoft Office
Manual sketch, Adobe Illustrator, Adobe Photoshop, and Microsoft Office
💎 Achievements
💎 Achievements
We successfully collaborated with Banyuwangi City municipalities, local communities, artisans, and a BEKRAF design expert team. This collective effort led to the creation of a blueprint for the city's creative economy development.
Our collaborative design project, the "Kanggi" souvenir, garnered significant praise from the Mayor of Banyuwangi. It has become a recognized symbol of the city, even showcased in international events and meetings.
We successfully collaborated with Banyuwangi City municipalities, local communities, artisans, and a BEKRAF design expert team. This collective effort led to the creation of a blueprint for the city's creative economy development.
Our collaborative design project, the "Kanggi" souvenir, garnered significant praise from the Mayor of Banyuwangi. It has become a recognized symbol of the city, even showcased in international events and meetings.
Design Process
Design Process
Research (first month - 14 days)
Define (second month - 7 days)
Ideate (second month - 7 days)
Production (third month - 14 days)
Exhibition (fourth month - 14 days)
Research (first month - 14 days)
Define (second month - 7 days)
Ideate (second month - 7 days)
Production (third month - 14 days)
Exhibition (fourth month - 14 days)
Research
Research
During the initial month in Banyuwangi (14 days), we prioritized stakeholder identification, tourist destination surveys, and in-depth interviews to lay the groundwork for our strategy.
During the initial month in Banyuwangi (14 days), we prioritized stakeholder identification, tourist destination surveys, and in-depth interviews to lay the groundwork for our strategy.
1. Comprehensive Government Collaboration: We conducted interviews and data collection not just with the initial department but also expanded our reach by collaborating with other relevant government departments and stakeholders. This ensured a well-rounded understanding of the creative economy landscape in Banyuwangi.
1. Comprehensive Government Collaboration: We conducted interviews and data collection not just with the initial department but also expanded our reach by collaborating with other relevant government departments and stakeholders. This ensured a well-rounded understanding of the creative economy landscape in Banyuwangi.
2. Cultural Economic Impact: We interviewed culture experts to gain valuable insights into the potential economic impact by leveraging Banyuwangi's unique cultural heritage. This perspective helped us identify opportunities to integrate cultural aspects into the creative economy strategy.
2. Cultural Economic Impact: We interviewed culture experts to gain valuable insights into the potential economic impact by leveraging Banyuwangi's unique cultural heritage. This perspective helped us identify opportunities to integrate cultural aspects into the creative economy strategy.
3. Collaborative Mapping: We facilitated workshops with local craftsmen and SMEs. This collaborative approach served two purposes: firstly, it allowed us to map out all the key economic actors within the city, and secondly, it fostered connections and collaboration opportunities between designers, artisans, and entrepreneurs.
3. Collaborative Mapping: We facilitated workshops with local craftsmen and SMEs. This collaborative approach served two purposes: firstly, it allowed us to map out all the key economic actors within the city, and secondly, it fostered connections and collaboration opportunities between designers, artisans, and entrepreneurs.
4. Tourist Potential Exploration: We conducted site visits to Banyuwangi's tourist spots. By analyzing these locations, we were able to map out the economic potential that tourism holds for the creative economy. This helped us tailor our recommendations to maximize the synergy between tourism and creative industries.
4. Tourist Potential Exploration: We conducted site visits to Banyuwangi's tourist spots. By analyzing these locations, we were able to map out the economic potential that tourism holds for the creative economy. This helped us tailor our recommendations to maximize the synergy between tourism and creative industries.
Define
Define
Through extensive research, including interviews, observations, and data analysis; in second month - 7 days, we have identified Banyuwangi's potential for creative economy growth, driven by its escalating tourism sector. Our comprehensive mapping encompasses diverse tourism destinations: ranging from beaches, mountains, forests and cultural attractions. We have further searched into three key aspects: attractions, accessibility, and amenities.
At the core of our strategy lies the creation of a one-spot integrated concept, bringing together home industries, artisans, entrepreneurs, and cultural practitioners under a unified umbrella. This dynamic ecosystem requires continuous government monitoring and support.
Through extensive research, including interviews, observations, and data analysis; in second month - 7 days, we have identified Banyuwangi's potential for creative economy growth, driven by its escalating tourism sector. Our comprehensive mapping encompasses diverse tourism destinations: ranging from beaches, mountains, forests and cultural attractions. We have further searched into three key aspects: attractions, accessibility, and amenities.
At the core of our strategy lies the creation of a one-spot integrated concept, bringing together home industries, artisans, entrepreneurs, and cultural practitioners under a unified umbrella. This dynamic ecosystem requires continuous government monitoring and support.
Banyuwangi has an abundance of distinctive commodities, including bamboo, batik, traditional attire, coffee, tasteful culinary, snacks, and the Gandrung dance. These diverse treasures hold vast potential to be transformed into creative economic opportunities within the tourism sector.
By harnessing the potential of these unique commodities, Banyuwangi can establish itself as a hub for creative expression, fostering economic growth and cultural vibrancy within the tourism sector.
Banyuwangi has an abundance of distinctive commodities, including bamboo, batik, traditional attire, coffee, tasteful culinary, snacks, and the Gandrung dance. These diverse treasures hold vast potential to be transformed into creative economic opportunities within the tourism sector.
By harnessing the potential of these unique commodities, Banyuwangi can establish itself as a hub for creative expression, fostering economic growth and cultural vibrancy within the tourism sector.
In collaboration with the local government, we have established long-term goals for Banyuwangi's creative economy, serving as a blueprint for future government programs. Our goal is to achieve self-sustaining tourism. To this end, we have devised a four-month short-term strategy within the IKKON program framework.
How Might We (HMW) Statement:
"HMW foster collaboration between home industries, artisans, entrepreneurs, and cultural practitioners to effectively fulfill to the wave of tourists in Banyuwangi?"
In collaboration with the local government, we have established long-term goals for Banyuwangi's creative economy, serving as a blueprint for future government programs. Our goal is to achieve self-sustaining tourism. To this end, we have devised a four-month short-term strategy within the IKKON program framework.
How Might We (HMW) Statement:
"HMW foster collaboration between home industries, artisans, entrepreneurs, and cultural practitioners to effectively fulfill to the wave of tourists in Banyuwangi?"
IDEATION
IDEATION
Banyuwangi's Essence: A Souvenir Box Concept
We propose a unique souvenir box concept that collaborate among artisans, home industries, and economic practitioners. The souvenir box, aptly named "Kanggi," derives its name from the Banyuwangi word "kangge," meaning "special gift."
Kanggi will serve as a Banyuwangi's five senses:
Touch: The smooth, tactile sensation of bamboo will be represented by a handcrafted bamboo item.
Hear: The rhythmic tinkling of a traditional Banyuwangi bell will evoke the region's vibrant soundscape.
Vision: Banyuwangi's batik heritage will be showcased patterns and colors through a piece of batik fabric.
Smell: The aroma of freshly brewed Banyuwangi coffee.
Taste: A delicious local snack.
This initial concept serves as a flexible framework that can be adapted to meet market demands and preferences.
Banyuwangi's Essence: A Souvenir Box Concept
We propose a unique souvenir box concept that collaborate among artisans, home industries, and economic practitioners. The souvenir box, aptly named "Kanggi," derives its name from the Banyuwangi word "kangge," meaning "special gift."
Kanggi will serve as a Banyuwangi's five senses:
Touch: The smooth, tactile sensation of bamboo will be represented by a handcrafted bamboo item.
Hear: The rhythmic tinkling of a traditional Banyuwangi bell will evoke the region's vibrant soundscape.
Vision: Banyuwangi's batik heritage will be showcased patterns and colors through a piece of batik fabric.
Smell: The aroma of freshly brewed Banyuwangi coffee.
Taste: A delicious local snack.
This initial concept serves as a flexible framework that can be adapted to meet market demands and preferences.
Still in the second 14 days, we were establishing a visual identity and ensure alignment with our branding, style, and color palette, we crafted a mood board and image board. These visual tools serve as a guide for our design decisions, ensuring that the souvenir box and its contents related to the aesthetic and functionality.
The mood board and image board provide requirements for the design of the bamboo box:
Utilize natural bamboo tones, highlight the material's texture, and include organic shapes.
Combine batik patterns and hand-painted designs.
Design a practical and spacious box that accommodates the curated items efficiently.
My role lies in designing the souvenir box and bell, ensuring an aesthetically pleasing and functional presentation that enhances the overall experience.
Still in the second 14 days, we were establishing a visual identity and ensure alignment with our branding, style, and color palette, we crafted a mood board and image board. These visual tools serve as a guide for our design decisions, ensuring that the souvenir box and its contents related to the aesthetic and functionality.
The mood board and image board provide requirements for the design of the bamboo box:
Utilize natural bamboo tones, highlight the material's texture, and include organic shapes.
Combine batik patterns and hand-painted designs.
Design a practical and spacious box that accommodates the curated items efficiently.
My role lies in designing the souvenir box and bell, ensuring an aesthetically pleasing and functional presentation that enhances the overall experience.
Inspiration Sources:
Tarian Gandrung: The movements and vibrant costumes of the Gandrung dance, a symbol of Banyuwangi's cultural identity.
Motif Batik: The unique patterns and the color of Banyuwangi batik.
Pattern Bambu: The natural patterns and textures of bamboo guided the exploration of organic shapes.
Kotak-kotak Bambu: Existing examples of bamboo boxes produced by Banyuwangi artisans served as a benchmark.
Inspiration Sources:
Tarian Gandrung: The movements and vibrant costumes of the Gandrung dance, a symbol of Banyuwangi's cultural identity.
Motif Batik: The unique patterns and the color of Banyuwangi batik.
Pattern Bambu: The natural patterns and textures of bamboo guided the exploration of organic shapes.
Kotak-kotak Bambu: Existing examples of bamboo boxes produced by Banyuwangi artisans served as a benchmark.
Idea 1: Gandrung's Crown as Design Muse
The first concept drew inspiration from the crown of the Gandrung dancer, capturing the essence of the Banyuwangi's heritage. The box would embody the crown's through flowing lines, curved shapes, and a bold color palette.
Idea 2: Sustainability Through Batik Scraps
The second concept embraced sustainability, transforming discarded batik scraps into decorative elements. This innovative approach not only minimized waste but also added a unique touch to the box, reflecting Banyuwangi's commitment to environmental consciousness.
Idea 1: Gandrung's Crown as Design Muse
The first concept drew inspiration from the crown of the Gandrung dancer, capturing the essence of the Banyuwangi's heritage. The box would embody the crown's through flowing lines, curved shapes, and a bold color palette.
Idea 2: Sustainability Through Batik Scraps
The second concept embraced sustainability, transforming discarded batik scraps into decorative elements. This innovative approach not only minimized waste but also added a unique touch to the box, reflecting Banyuwangi's commitment to environmental consciousness.
Brainstorming and Decision-Making
Through collaborative brainstorming sessions, the design team carefully evaluated each concept. Ultimately, the second idea, centered on sustainability and creative reuse.
Refining the Design: Efficiency and Craftsmanship
With the concept finalized, the focus shifted to refining the design, ensuring both production efficiency and compatibility with the skills of local artisans.
Throughout my collaboration with bamboo artisans, I prioritized optimizing the contents of the Kanggi souvenir box. This involved experimenting with various configurations for the batik, snacks, coffee, and bell. By testing different arrangements, I was able to determine the ideal box size to ensure everything fit perfectly.
Brainstorming and Decision-Making
Through collaborative brainstorming sessions, the design team carefully evaluated each concept. Ultimately, the second idea, centered on sustainability and creative reuse.
Refining the Design: Efficiency and Craftsmanship
With the concept finalized, the focus shifted to refining the design, ensuring both production efficiency and compatibility with the skills of local artisans.
Throughout my collaboration with bamboo artisans, I prioritized optimizing the contents of the Kanggi souvenir box. This involved experimenting with various configurations for the batik, snacks, coffee, and bell. By testing different arrangements, I was able to determine the ideal box size to ensure everything fit perfectly.
PRODUCTION
PRODUCTION
In the third month - 14 days, I was focusing on producing prototypes and generate production line collaborating with craftspeople. I collaborated with craftspeople in Gintangan village. Uniquely, in the village of Gintangan, bamboo craftsmanship is not confined to men. Women play an equally important role, specializing in bamboo weaving, while men focus on shaping the structures into boxes or other functional objects.
The Creation of Kanggi: A Collaborative Effort
The process begins with the women crafting the bamboo weave, followed by a molding stage where the box and its lid are shaped to ensure a perfect fit. Finally, the women return to add a touch of artistry, weaving batik fabric into a decorative border.
Once the box is complete, its contents are carefully placed inside and sealed with a protective paper covering. This final step ensures that the precious items within remain safe and perfect, ready to be presented as a souvenir.
In the third month - 14 days, I was focusing on producing prototypes and generate production line collaborating with craftspeople. I collaborated with craftspeople in Gintangan village. Uniquely, in the village of Gintangan, bamboo craftsmanship is not confined to men. Women play an equally important role, specializing in bamboo weaving, while men focus on shaping the structures into boxes or other functional objects.
The Creation of Kanggi: A Collaborative Effort
The process begins with the women crafting the bamboo weave, followed by a molding stage where the box and its lid are shaped to ensure a perfect fit. Finally, the women return to add a touch of artistry, weaving batik fabric into a decorative border.
Once the box is complete, its contents are carefully placed inside and sealed with a protective paper covering. This final step ensures that the precious items within remain safe and perfect, ready to be presented as a souvenir.
EXHIBITION
EXHIBITION
From Design to Exhibition
At the last 14 days, the Kanggi souvenir box was ready to be unveiled to the world. The team's hard work paid off when they were given the opportunity to showcase at the Banyuwangi Ethno Carnival (BEC), a major cultural festival. To further enhance the storytelling aspect, I drew a mural on the walls to explain the concept of Kanggi, showcasing the the five senses of Banyuwangi.
The exhibition brought a crowd, including notable figures like the Mayor of Banyuwangi and the Minister of Tourism. Both were deeply impressed by Kanggi's innovative use of traditional materials, particularly the sustainable practices and the craftsmanship.
My creative explorations extended beyond Kanggi, leading me to design a range of products using bamboo and batik. Bamboo mirrors, bamboo boxes in varying sizes, and a versatile lamp captured Banyuwangi's artistry. Each piece, crafted with the essence of Gintangan village.
From Design to Exhibition
At the last 14 days, the Kanggi souvenir box was ready to be unveiled to the world. The team's hard work paid off when they were given the opportunity to showcase at the Banyuwangi Ethno Carnival (BEC), a major cultural festival. To further enhance the storytelling aspect, I drew a mural on the walls to explain the concept of Kanggi, showcasing the the five senses of Banyuwangi.
The exhibition brought a crowd, including notable figures like the Mayor of Banyuwangi and the Minister of Tourism. Both were deeply impressed by Kanggi's innovative use of traditional materials, particularly the sustainable practices and the craftsmanship.
My creative explorations extended beyond Kanggi, leading me to design a range of products using bamboo and batik. Bamboo mirrors, bamboo boxes in varying sizes, and a versatile lamp captured Banyuwangi's artistry. Each piece, crafted with the essence of Gintangan village.
🛠️ Takeaways
🛠️ Takeaways
User Feedback: The exhibition revealed a need for the Kanggi souvenir box to be easily stackable.
Sustainability of Creative Projects: The Kanggi project suggests that successful creative initiatives within the program might require beyond government control. This highlights the need for exploring long-term business models, potentially involving private companies.
Governmental Support is Key for Creative Economy: The strong positive impact of government support on Banyuwangi's creative economy underscores its crucial role.
User Feedback: The exhibition revealed a need for the Kanggi souvenir box to be easily stackable.
Sustainability of Creative Projects: The Kanggi project suggests that successful creative initiatives within the program might require beyond government control. This highlights the need for exploring long-term business models, potentially involving private companies.
Governmental Support is Key for Creative Economy: The strong positive impact of government support on Banyuwangi's creative economy underscores its crucial role.
